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@D. Thorn " And it is especially inexcusable to leave viewers to fill in the blanks. That says the writer hasn't a clue, and is hoping viewers will think they're cleverer than they are. " As a consequence, this is the legacy of JJ Abrams and other types of mediocre director/screen writers. They implicitly create plot holes, technical inconsistencies, etc, for the sake of convenience and then, let ppl debate among themselves with the notion that they got away with it. If you recall 'Star Trek: Into Darkness', Benedict Cumberbatch had a portable transporter which allowed him to get from Earth to the Klingon capital system with a single jump in no time. Well, that completely destroys the ST universe because now, Klingons, Humans, Romulans, and just about any alien species out there, could send timer-ed reactor cores, via this hand-held device, and create galactic Armageddon without any starships. This is why one can't let SF series be handled by slop writers. That type of slop only works on earth-based supernatural shows because that genre is all about magic and such. In Sci-Fi, if you have a parallel timeline or dimension, it has to be fleshed out for it to be believable. Bigfoot can't just appear out of nowhere and disappear w/o an explanation otherwise, it's fantasy and not Sci-Fi.

@RandyO "You're two generations late ... " I WISH. I'm afraid that the idea that faith in feelings, intuition and blind belief still tops the list of not just old holiday movies, but current ones. AND new television shows where only the way the message is presented has been updated--like "God Friended me" where an atheist sees the light thanks to social media. "Highway to Heaven" has been resurrected and I'll bet you anything you like that every other episode will carry the exact same lesson as the one presented in good ole' "Miracle on 34th Street." Angels are real, you just have to believe. As for a 12,000 year old android having a religion...Asimov certainly did explore the idea of a robot wanting to be human to the point where they acted so human-like that they were "granted" human status. BUT there is a twist at the end of that story indicating that, really, they were still a robot. So I can believe an old, old robot might take on a religion even if they never quite understood why human have faiths, nor ever had a numinous experience--because they mistakingly believe it will make them more "human" and this is, for whatever reason, something they've come to believe they must be. That the robot had a vision, however, that I find very hard to believe. First, she wouldn't experience the pain, sunburn or dehydration, so, exactly what did she endure that warranted a vision? Either physically, emotionally, psychologically or, if you like, literally if it came from the divine? And second, as a robot, able to repair every part of herself, including her intellectual functions, if she *did* have a vision, she would know exactly how and why undermining the "faith" that it came from a higher power. And for that robot to tell a someone that any human who didn't have a vision would feel "empty"...that really don't believe as the robot has to know that they can in no wise predict how any given human would feel in such circumstances. Also, I find it really hard to believe that Cleon was that put out by not having a vision. They've made him way too cynical for that...unless he's SO egotistical that he DOES believe in the goddess and he's put out that she didn't give HIM (the emperor) a vision... 🤔 Or he was, as you say, so lost in the physical pain and drain of the experience that he deluded himself into believing he'd win the prize at the end and felt totally lost that he didn't.

@Maria White This show continues to befuddle...three TRILLION followers? Yet they're having a water problem on that planet and need the Emperor's help? 🤨 Do these trillion followers not donate? Not care that their "Mecca" is in dire straits thanks to water shortages? We should have SEEN this in this place. The money, time, ingenuity, etc. that the faithful have poured into it. Not just old places of worship, but clever, new solutions to problems and issues. It would have SHOWN us (rather than just telling us) why the Emperor feels that any leader of this religion rivals him in power and is a serious threat. And my goddess! If even a tiny, tiny fraction of that many followers--and yes, I know, I know, that most followers of any religion are not super religious, and most won't ever travel all the way to their respective holy land...but we are talking TRILLIONS...so, again, if even the tiniest fraction of those come to walk the spiral...they must have one huge crematorium going 24/7 for all the pilgrims who fall dead along the way. And why is the only place we see to tend to sunburns and dehydration and wounds a bunch of tents????? They've been doing this for 11,000 years. Shouldn't there be a HUGE hospital for all those pilgrims? Specializing in sunburns, wounds and dehydration? I'll accept your reasoning for assassinating Z.H. after discrediting her...but I still can't square her death with being at the hands of the robot, thus breaking Asimov's most sacred first law. And no, Cleon didn't have a real vision. But as we saw, he didn't need to in order to restore his credibility. He only had to say he'd had one...and make it a good one. Which he did. No one doubted him except the robot. I mean, it's clear the writers want us to believe that the clone dynasty is going very wrong and that less and less people have loyalty to it, or belief in it. it's the premise of the show, after all, that it's going to collapse no matter what this or future Cleons do. Mathematics says so. 😉 But if we're talking Cleon's credibility with three trillion faithful followers of this religion, then he's more or less restored it with his "vision."

Thanks, big part will be the characters. My plan will be to make a photo gallery for each character. 🙂

@Muad’Dib , you're welcome. I'm concentrate on the characters for the moment but I plan to also make galleries for these kind of things on the website : planets, elements of the show (spaceships, the Vault, prime radiant, ...). 😉

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The gender switching is irrelevant. We are talking Asimov Characters after all. 99% of the time a character’s gender and/or ethnicity is completely irrelevant. Asimov himself often explained that he wasn’t a visual person. He never “saw” his characters in his mind. I have no doubt that he would have approved of gender and race blind casting. The problem is that the series completely misses the central theme of the books. In the first book and a half there are a series of moments in which the fate of the galaxy seems to hang in the balance, as the Foundation faces the apparent threat of extinction at the hands of barbarian kings, regional warlords, and eventually the decaying but still powerful empire itself. Each of these crises is met by the men of the hour, whose bravery and cunning seem to offer the only hope. Each time, the Foundation triumphs. But here's the trick: after the fact, it becomes clear that bravery and cunning had nothing to do with it, because the Foundation was fated to win thanks to the laws of psychohistory. Each time, just to drive the point home, the image of Hari Seldon, recorded centuries before, appears in the Time Vault to explain to everyone what just happened. The barbarians were never going to prevail, because the Foundation's superior technology, packaged as religion, gave it the ability to play them off against each other. The warlord's weapons were no match for the Foundation's economic clout. And so on. This unique plot structure creates an ironic resonance between the 'Foundation' novels and a seemingly unrelated genre, what I'd call prophetic fantasy. These are novels— Robert Jordan's 'Wheel of Time' cycle comes to mind—in which the protagonists have a mystical destiny, foreshadowed in visions and ancient writings, and the unfolding of the plot tells of their march toward that destiny. Actually, I'm a sucker for that kind of fiction, which makes for great escapism precisely because real life is nothing like that. The first half of the 'Foundation' series manages, however, to have the structure of prophecy and destiny without the mysticism; it's all about the laws of psychohistory, you see, and Hari Seldon's prescience comes from his mathematics. So far I don’t get that from the show.

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The force field of the Foundation is then "whatever it is that protects the Foundation".